Anatomia universale [...] rappresentata con tavole in rame ridotte a minori forme di quelle della grande edizione pisana per Antonio Serantoni. Paolo MASCAGNI.
Anatomia universale [...] rappresentata con tavole in rame ridotte a minori forme di quelle della grande edizione pisana per Antonio Serantoni.
Anatomia universale [...] rappresentata con tavole in rame ridotte a minori forme di quelle della grande edizione pisana per Antonio Serantoni.
Anatomia universale [...] rappresentata con tavole in rame ridotte a minori forme di quelle della grande edizione pisana per Antonio Serantoni.
Anatomia universale [...] rappresentata con tavole in rame ridotte a minori forme di quelle della grande edizione pisana per Antonio Serantoni.
Anatomia universale [...] rappresentata con tavole in rame ridotte a minori forme di quelle della grande edizione pisana per Antonio Serantoni.

With Mascagni's spectacular hand-colored plates

Anatomia universale [...] rappresentata con tavole in rame ridotte a minori forme di quelle della grande edizione pisana per Antonio Serantoni.

Florence: Batelli Vincenzo, 1833.

1st Edition. Hardcover. Large Folio. Very Good. Item #2007

2 parts. Large folio (470x335 mm). Loose sheets as issued in two modern folder boxes. Text volume: 292, [4] pp. including title page and index at end. Untrimmed, with slight occasional fraying to margins, light spotting throughout. Plate volume: 150 engraved plates, comprising 75 partly printed in color and hand-finished, and 75 uncolored duplicates in outline. Minor spotting and marginal soiling and fraying to a few plates. Protected in modern cardboard folder with red morocco label to vellum covered spine and boards covered with marbled paste paper. An outstanding, unsophisticated copy as issued. ----

Garrison-Morton 409.1; Wellcome IV, p.73; Roberts & Tomlinson p. 390; Sappol, Dream Anatomy pp.126 and 130; DSB IX, p.154. - Small folio authorized edition of Masgagni's great Anatomia Universa. As incredibly spectacular as the images of the Anatomia Universa were, Antonio Serantoni, the artist responsible for the drawing, engraving, and hand-coloring of that enormous work, recognized that its great size made it excessively expensive and virtually impossible to use. Therefore, three years after completion of the elephantine edition he issued a new edition as a normal-sized folio from Florence, with reduced versions of the spectacular hand-colored plates, and many changes. It is from this version that the work is generally known.

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